Saturday, January 30, 2010

Jet-Setting Josh & Fergie Pull Double Date Duty

Despite their crazy busy schedules, Josh Duhamel and Fergie seem to be joined at the hip lately. On Tuesday, Josh was in NYC pimping When in Rome and wearing tiaras on morning shows before heading off to Sundance with the wifey in tow for The Romantics premiere that night.

Then just last night, the über-tight twosome hit the L.A. premiere of Rome here in Hollywood. Sheesh. All this quality time together, including train-holding and wedding-vow renewals, has almost made us forget about that whole little stripper scandal...

Whatever happened last year, we do give them props for working overtime to make their marriage work—and improving their public image! And their night together didn't end after the When in Rome premiere, either. Fergie and Josh hit the afterparty at Hwood, where Lindsay Lohan also happened to be partying.

And while Fergie's been supporting her man (and likely keeping on eye on him at the same time) on these last few outings, tonight she takes center stage, performing at the First Annual Data Awards with the rest of the Black Eyed Peas.
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Thursday, January 28, 2010

Top 5 Jackie Chan Movies to Watch With Your Kids

It’s often been said that Jackie Chan movies are a lot like Fred Astaire movies, only with fighting instead of dancing. With Chan’s forays into Hollywood movies, this has been less true, especially as he’s gotten older (he’s nearly 56) and more valuable a commodity — thus making studios less likely to let him take the risks with his personal safety that he’s famous for.

Chan’s latest Hollywood movie, The Spy Next Door, opens tomorrow in the U.S. and a few other places, so we thought the time was ripe for a list of Chan’s other films that kids are likely to enjoy. The plots are thin and generally quite similar, and you’ll may want to mention to your kids (to avoid them becoming copycats) that while, yes, Chan did his own stunts, he got hurt a lot in the process.

Check out my list, and, after the jump, a trailer from The Spy Next Door.

5. Forbidden Kingdom - One of Chan’s more recent Hong Kong martial arts films, and one of the best, co-starring the great Jet Li and Chan’s first film with fight choreographer Woo-ping Yuen in almost twenty years.

4. The Legend of Drunken Master - It’s rated R in the U.S., but most kids over the age of eight could probably handle it: The rating is for violence, but if you don’t want your kids to watch movies with a lot of fighting, you’re reading the wrong list. Drunken Master was an instant classic, and is considered by some to be the best Kung-Fu movie ever made.

3. Rumble in the Bronx - If you’ve ever been there, you’ll find it amazing how little the Bronx looks like the Bronx (the movie was filmed in Vancouver). But you won’t care about that any more than you’ll care about the plot, which is completely predictable. The fight scenes, and many of Chan’s stunts, will just blow you away. (This movie, too is rated R, but the level of violence isn’t high enough that most kids couldn’t handle it.)

2. Shanghai Noon - As an American-made film, this is probably more accessible to English-speaking kids than the Hong Kong-made ones, as there’s only a few subtitles and no terrible dubbing to deal with. Yes, there’s some suggestive humor, but nothing worse than is in most PG-rated movies (Shanghai Noon is rated PG-13, mostly for violence). You may have to explain to your kids why it’s funny that Chan’s character chooses the name “John Wayne,” but most of the jokes are crude and obvious — in other words, perfect for kids. The sequel, Shanghai Knights, is essentially the same.

1. Operation Condor 2: The Armour of the Gods - Ignore the name — this is actually the first Operation Condor movie, though it was imported to the U.S. after its sequel. Made over twenty years ago, this is Jackie Chan at his young best. The plot is completely irrelevant — you could fast-forward through all the non-fight scenes and lose little — but the fight scenes are just brilliant.
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Tuesday, January 26, 2010

Tooth Fairy Review

"Tooth Fairy," starring Dwayne Johnson, The Rock, isn't the disaster the various previews would have you believe. It's not a great kids movie by any means but it's not so bad that it's unwatchable. In fact, there's a potentially pretty dang decent kids movie lurking in there somewhere, if only the director, the usually competent Michael Lembeck (he directed the last two "The Santa Clause" movies), had understood that a goofy kids movie really can't be any longer than ninety minutes.

Anything longer than that is likely to have several instances where the movie drags on more than it should, which is exactly what happens in "Tooth Fairy." "Tooth Fairy" stars The Rock as Derek Thompson, a minor league hockey star that's famous for hitting guys on the ice so hard that they lose teeth (hence his nickname "The Tooth Fairy"). He's such a noted bad ass within minor league hockey that he has an easy chair with his name on it in the penalty box.

He also has a penchant for telling his young fans that they should never strive to be high achievers because, odds are, they'll fail (maybe Thompson's other nickname is "Mr. Sociology"). In short, he's a big meanie. Thompson doesn't try to be a big meanie with his girlfriend's children Tess (Destiny Grace Whitlock) and Randy (Chase Ellison.

Oh, Thompson's girlfriend is Carly as played by Ashley Judd), but it tends to come through anyway (Thompson almost lets it slip to the very young Tess that the Tooth Fairy, the magical fairy that gives you money for your lost teeth, isn't real, but Carly stops him). Because of this lack of tack with children's dreams, not to mention a total lack of belief in the power of dreams period, Thompson is summoned by the "Department of Dissemination of Disbelief," a sort of fairy organization that oversees the fairy world (which apparently includes leprechauns). While there, Thompson meets Lily (Julie Andrews), the head of the "DDD" and learns that he will have to be an actual tooth fairy for several weeks as punishment. If he fails to complete every tooth fairy assignment or tells anyone about the fairy world Thompson will become a tooth fairy forever. Now, Thompson, as you'd expect, isn't too thrilled with this predicament (he actually thinks it's all a big ass weird dream at first) because it will interfere with his love life and his hockey career. Carly wants him to bond with her children, especially Randy, and there's a new wunderkind punk player on his team, Mick Donnelly (Ryan Sheckler), that could steal his spot on the team. Whenever the DDD calls him to do a tooth fairy job, regardless of where he is, he must go and complete it. Even with the help and guidance of his DDD handler Tracy (Stephen Merhcant) Thompson screws up his first couple of assignments, causing his tooth fairy commitment to be extended even longer. This extension just makes Thompson's life harder.

He eventually figures out how to find the time to do everything that he needs to do, but does he ever learn the value of dreams? I'm not going to deliberately give you the answer to that question, but since this is a movie from the fine folks at Walden Media you know going in that there will be a happy ending and that the right lesson will be learned by everyone in the movie. It's just a given. You'll just wish that the movie got to the point faster. That's what really harms the movie, its lack of tightness. There are too many longer than necessary conversations between Johnson and the other cast members, especially Merchant's Tracy. I'm guessing they're in thee because someone thinks the snippy, back and forth quipfests are funny. They are funny for about a minute. Everything after that is just overkill. There are also way too many instances of Johnson staring at the camera, staring at other characters, and smiling for no apparent reason. There's just no need for most of it.

It's almost like the movie that was released is a pretty okay second draft that needs more cutting and fine tuning to get perfect (sort of like what the people behind the "Naked Gun" movies did, cut out the jokes and bits that are not that funny to leave room for the jokes and bits that kill). Lembeck needed to be much more ruthless in the editing. A tighter feel to the movie also would have helped mask some of the cheaper and cheesier aspects of the movie, mostly the bits in Julie Andrews' fairy office. Slickness helps with movies like this. The flick's hockey scenes are well staged (the game announcers could have been a tad more lively but they're good enough). The special effects outside of the fairy world work, especially the shrinking paste and invisibility spray bits. The movie also doesn't overload itself with music montages (the movie only has one). The movie could have used a little more music throughout to help move the story along, but the George S. Clinton created score is nimble and whimsical and will make you smile (it made me smile several times). And the performances, by and large, are good. The Rock fares a little better here than you'd expect.

He manages to sell the scenes where he's forced to wear a pink tutu and he has relatively good back and forth charisma with Judd, Merchant, and Andrews (more on Judd in a second). He's funny most of the time, he can handle serious drama if he has to (he's not an expert at it but he gets the job done), and he's generally fun to watch. The Rock's best scenes, though, are the scene where he tells the kid with the frizzy hair that he shouldn't follow his dream of becoming a pro hockey player because he'll probably fail at it (this scene is freaking hilarious), his interaction with Billy Crystal, who plays a kind of fairy "Q" (the amnesia dust), and his interaction with the shifty fairy Ziggy (Seth MacFarlane) who peddles black market fairy supplies. If only Lembeck had cut some of the Rock's "riffs." Some of his scenes, again, just go on too long. Ashley Judd is pretty decent as Carly, the Rock's girlfriend. She's very believable as a concerned mother, and she does have a certain chemistry with the Rock that makes you think they could be a couple (she knows to be cute and cuddly and sexy. It's all in the smile). But at times Judd looks way older than the Rock and it's kind of weird. Why is it weird? Because Judd doesn't give off that "cougar" vibe that makes older woman-younger man relationships in movies work. And the Rock, try as he might, really can't play older. He may be thirty six (which isn't old but it's not twenty-five, either) and his Thompson character may be somewhat broken down and washed up, but it doesn't come off that way. Either she's robbing the cradle or he's settling for the somewhat sexy older woman with two kids because that's all he could get.

I personally like the way Judd looks in this movie. Her husband, Dario Franchitti, is a very lucky man. Stephen Merchant's Tracy is another character hurt by the lack of tight editing. If Merchant were unfunny his scenes would be excruciating. Luckily he is funny so it all works out. Ryan Sheckler manages to make hip and edgy young hockey superstar Mick Donnelly a total douchebag, which is what he's supposed to do. I would have liked to have seen one more scene between him and the Rock as they have a good adversarial chemistry. Both of Carly's children, Destiny Grace Whitlock and Chase Ellison, do a fine job. Whitlock is cute, and Ellison's Randy isn't annoying, and that's always a plus when it comes to young tweenish characters that have a chip on their shoulders. And then there's Julie Andrews as the head fairy Lily. She's one of the few actors in the world that can make wearing gigantic wings look dignified. She's simply fabulous as Lily. There isn't a false note in her performance. You really believe that she's the head of a fairy organization. She never looks ridiculous. Great performance.

"Tooth Fairy" still needs some work, but the movie isn't a disaster. It's worth a look at some point in your life. You'd probably be better off waiting for the DVD, though. You'll be able to skip through the slow parts that way. But if you just have to see it in a movie theatre, you can. It's an okay time at the movies. Nothing great but not bad.

So what do we have here? A big ass Coca-Cola sign, a hockey game in progress, gratuitous the Rock, glass smashing, a flying tooth, gratuitous excited fat guy, gratuitous penalty box easy chair, gratuitous the Rock explaining sociology, gratuitous the Rock with French fry vampire teeth, gratuitous Ashley Judd, gratuitous the Rock playing poker with hockey buddies, a bit of truth telling, gratuitous fairy summons, gratuitous worldwide fairy operation, fairy krishnas, gratuitous Stephen Merchant, gratuitous Julie Andrews, gratuitous Billy Crystal, dog bark mints, amnesia dust, a stark white flying practice room, tennis ball to the balls, gratuitous multiple interruptions, gratuitous very small the Rock being attacked by a cat, gratuitous cuddly Ashley Judd, gratuitous the Rock flushing himself down the toilet, a fairy break room, guitar shopping, gratuitous card game played for Cheese oodles, a funny "how your body works" bit, gratuitous invisibility gag, a funny little dog attack, gratuitous Seth MacFarlane, the Rock in jail, a fairy dressed up like a hockey player, another funny invisibility gag, gratuitous discussion of "fairy evolution," a fairy learner's permit, a realization that hockey is pretty goddamn violent, a giant amnesia gun, and a pretty funny ending bit involving Billy Crystal.

Best lines: "Find a dark jersey and hit it!," "And it's an incisor!," "Listen, lower your expectations, that's how you're going to be happy," "Hey, Derek, don't the kids have a piggy bank or something?," "Ooh, ooh, it looks like you picked on the wrong fairy," "Stop it! You're behaving like leprechauns!," "Fairy godmother, I have just one question: does this tutu make my butt look big?," "Never marry a leprechaun," "Ugh, I almost had a senior fairy moment," "It looks like you've been dethroned," "Well, I can see hockey's been very good to you," "Okay, big boy pounce for not wanting to talk about puberty!," "Don't touch my pouch! It's my pouch!," "You may just be the worst tooth fairy ever," "Fine, I'll be the best tooth fairy ever," "Where can I get some of that?," "I'm just here for the tooth, sir," "I'm the Tooth Fairy. Oh yeah," "You can't score if you don't take a shot," "You're not a hockey player, you're a sideshow attraction!," "Hey, old man, not bad," "You are the real tooth fairy," "I tend not to do the physical contact thing," and "Let's not get frisky."
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Monday, January 25, 2010

Walt Disney launches its 1st hindi film ZOKKOMON

Walt Disney Studios Motion Pictures, India unveiled the poster and trailer of its first live action Hindi feature film - ZOKKOMON. Darsheel Safary, ZOKKOMON'S lead actor, a popular child actor in India and Satyajit Bhatkal, Director of ZOKKOMON and the National Bravery Award winners unveiled the first poster and trailer of the movie at a press event in New Delhi.

The star cast for ZOKKOMON would have Darsheel Safary in the lead along with Anupam Kher and Manjiri Phadnis. The music of the movie has been composed by the famous trio Shankar, Ehsaan, Loy with Javed Akhtar's lyrics.

The Screenplay of the movie is given by Lancy Fernandes, Svati Bhatkal, Satayjit Bhatkal and Choreography by Shiamak Davar, Raju Sundaram. The movie is scheduled for May 2010 release.

ZOKKOMON is an action adventure film about an ordinary boy who rises to meet extraordinary challenges. Kunal, played by Darsheel Safary, is an orphaned boy, who discovers how cruel life is when he is abandoned by his heartless uncle. Left to fend for himself, Kunal discovers the hero within and begins his epic journey of adventure and transformation to become ZOKKOMON. ZOKKOMON is the thrilling and heart-warming live action adventure of an ordinary boy who finds the strength to face extraordinary challenges.
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Wednesday, January 20, 2010

Walt Disney World gets reduction in OSHA fine

A fine issued to Walt Disney World by a federal workplace safety agency for a serious violation that contributed to the death of a worker during a summer monorail accident has been reduced by 20 percent. The Occupational Safety and Health Administration and Disney World signed a settlement agreement on Friday, and the deal was made public on Tuesday.

Disney had been fined $44,000 in December for breaches contributing to the July 5 death of 21-year-old Austin Wuennenberg, as well as other workplace violations. That fine has been reduced to $35,200. A Disney spokeswoman said the resort worked with OSHA to address any concerns but declined to comment further. Under the agreement, Disney says it will correct all four safety violations cited by OSHA.
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Tuesday, January 19, 2010

Tips on taking kids to movies

The movie was lively, colorful and kid-friendly, recalls Hartsell, a preschool teacher. Her youngest daughter, now in kindergarten, still enjoys the "Madagascar" DVD as her "first movie ever." But the next two movies were mistakes, she says. A documentary about penguins with little color - lots of gray skies, white snow was dull. And the movie "Where the Wild Things Are," one of her daughter's favorite books, turned out to be frightening to both mother and daughter.

"Two scary scenes seemed to have ruined moviegoing for her," Hartsell says. "Now she won't even consider seeing 'Princess and the Frog' or 'Alvin and the Chipmunks: The Squeakquel.'" The mother hopes to try again in the summer with short, kid-geared matinees where the sound is lower and the lights are up a tad.

Be understanding - and be prepared to exit - if a movie is overwhelming for your child, moviegoing moms suggest. It's not unusual for little ones to be sensitive to the surround-sound in theaters, or to flip when their favorite book or TV character suddenly appears to bust out of a screen.

"Read the reviews to make sure the movie is appropriate for your child," says one mom of two boys, ages 3 and 5. She makes sure her boys are rested and fed, and makes a bathroom stop just before the movie starts.

Ainslie Phillips of Charlotte has taken her children, ages 4, 8 and 10, to ballets, Broadway plays and operas over the years. "Our energetic youngest son was only 3 when he saw his first full-length opera, 'The Marriage of Figaro,' and he was well-behaved," she says.

A key to success for an adult show, she says: Prepare your children for what they are going to see. Talk about the storyline and get your kids familiar with the songs. Before taking the family to see "South Pacific," the Phillips family checked the movie out of the library, watched it together and learned the first stanzas of some of the songs. Phillips and her children recently brainstormed and came up with these tips:

Dress your children in nice clothes, such as neckties, fancy dresses and dress shoes to make the event a more momentous occasion. Talk about expectations so there is no question about what behavior is acceptable.

Attend cultural events often. If this is a once-a-year experience, children don't necessarily learn what is expected and rise to the occasion. Look beyond productions geared to children. At a children's production, other children may be acting up. At an adult production, there should be better behavioral models to emulate.
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Saturday, January 16, 2010

THE BLU ROOM CLOUDY WITH A CHANCE OF MEATBALLS

With so many animation studios attempting to replicate the winning formula of Pixar it's often a surprise when one of them turns out a feature that's appealing to adults as well as children. A film about food, Cloudy With A Chance Of Meatballs is one of those rare animated films that tastes good going down, leaving little side effects because it was mixed with all the right ingredients.

Like the folks at Pixar, directors Phil Lord and Christopher Miller appear to be fans of good animation and great movies in general, employing a variety of familiar film techniques and homages that work. Though their film enjoyed success theatrically as a 3D release, seeing it in good ole two dimensions is still an enjoyable experience because of its simple story with sweet and intriguing characters that inhabit it.

With so many animation studios attempting to replicate the winning formula of Pixar it's often a surprise when one of them turns out a feature that's appealing to adults as well as children. A film about food, Cloudy With A Chance Of Meatballs is one of those rare animated films that tastes good going down, leaving little side effects because it was mixed with all the right ingredients. Like the folks at Pixar, directors Phil Lord and Christopher Miller appear to be fans of good animation and great movies in general, employing a variety of familiar film techniques and homages that work. Though their film enjoyed success theatrically as a 3D release, seeing it in good ole two dimensions is still an enjoyable experience because of its simple story with sweet and intriguing characters that inhabit it.

Based on the popular children's book by Judi and Ron Barrett, the film introduces us to the town of Swallow Falls which for years thrived on the sardine industry until the world moved on. With a mayor (Bruce Campbell) who is absolutely clueless on how to save the town, crackpot young inventor Flint Lockwood (Bill Hader) makes it his mission to invent a device that will improve the lives of everyone. Flint is an eccentric young man whose bizarre creations include spray on shoes, flying rats and a device that enables his pet monkey to talk. Even his dad (James Caan) who speaks mostly in fishing metaphors, doesn't think his son can create something that would benefit mankind, but Flint surprises everyone, including himself with a contraption that transforms water into any type of food. When the machine is launched skyward, it sucks up the gloomy clouds in the sky and produces every type of food imaginable, showering the town with a buffet and making him a hero. With the town an overnight tourist attraction, Flint becomes a hero to his fellow citizens and gains the attention of aspiring TV weather girl Sam Sparks (Anna Faris).

Of course with everything now going so smoothly for Flint, its only a matter of time before everything goes incredibly wrong. Under pressure from the morbidly obese mayor, Flint pushes the food producing capabilities of his machine beyond its limits and soon the contraption becomes a self aware nightmare. The continual rain of food begins to reach global proportions and Flint once the savior of his town looks to become its destroyer. Naturally, the increasing threat of such a scenario leads to some exciting action set-pieces, which all happen to involve food, but there's also a lot of heart within this tale. Despite the fact that people have been rendered in a caricature style with elastic faces, starting with Flint, these are fully realized characters and they are given the right touch of humanity by the voice actors. It was an inspired choice by Miller and Lord to provide Swallow Falls' lead cop Earl with the voice of Mr. T. whose character is almost as larger-than-life as the actor himself. Caan's somber delivery is actually pitch perfect for a character who is unable to emotionally connect with his son and then there's Hader and Faris, whose voices are filled with unbridled enthusiasmiasm, bringing life to a nerd and the girl he likes who may be a closeted geek herself.

On more than one occasion, the film can be a visual marvel such as how the color palette evolves when the town goes from having drab skies to mesmerizing vistas as well as the attention to detail concerning the various types of food. One of the most effective sequences involves Flint courting Sam by building her a palace made of Jell-O and experiencing the joyful abandon that comes from bouncing around inside of it. A playful and enjoyable feature that may have been designed with 3D in mind, but can still be a quite a treat for your eyes without those clumsy glasses.
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Friday, January 15, 2010

The Spy Next Door

The Spy Next Door I was surprised to see The Spy Next Door open with clips of other Jackie Chan movies. I guess it’s an easy way to establish the character’s backstory as a man of action.

He’s already provided the best stock footage around. They’ve got Rush Hour, Operation Condor, The Tuxedo and a few others in there. I guess New Line, Disney and Dreamworks were happy for a little extra residuals on their investments.

It kind of fits because this movie is Jackie Chan highlights for kids. They’ll see his standards, climbing walls, flipping over barriers, fighting with various props.

They even hearken to a few Police Story and First Strike classics. Some original bits are just adorable, like a little girl on Jackie’s leg.

You may notice a little more editing, a few more shots from behind, a few scenes where Chan is costumed with a mask. So maybe someone’s sharing the burden with him. I say give the guy a break.

It’s still Jackie Chan’s moves. I never thought the “doing his own stunts” thing was important. The creativity of the simplest moves was what mattered. You definitely see some single takes of Chan doing the best stuff, and man, he can still move.

Chan’s art was always designed to be accessible to this audience. He can do the domestic Mr. Mom slapstick. The plot of a Jackie Chan movie has never been important, so the broad strokes here are fine. Harried family scenes establish the formula for the wild children who’ll come around and learn to love their new father figure. Of course a former supermodel plays the single mother of three, because kids should know that that’s what all single mothers look like.

They may be giving kids the real Jackie Chan, but they’re not giving them a real spy world. With George Lopez as the boss and Billy Ray Cyrus as a techie, this ain’t Casino Royale. The gadgets are lame, but hey, they’ve got Spy Kids for that. It serves its purpose here, and the purpose is Jackie Chan.

The film itself may be poorly done. There are some sloppily staged scenes, but what are you looking for? They put up a stage for Jackie Chan to entertain children and they’re not going to see anything better in Harry Potter. These kids are way cuter than Agent Cody Banks anyway.

Most importantly, the film gets what’s special about Jackie. It’s not making him say the N-word or comment on someone’s rack. It’s about performing and he is still awesome. He does a hand plant and a move with the refrigerator that are just awesome. He brings flow to the rigid formula of a generic kids movie, and I’m not too old to love it.
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Wednesday, January 13, 2010

Jackie Chan gets domestic in latest stunt-filled role

In his latest stunt-filled movie, The Spy Next Door, Jackie Chan adds a new element to his usual bag of tricks: A love interest.

In the film, Chan stars as a retired spy trying to woo a single mother and win over her three young children when his old job comes back to haunt him. Chan talked to Metro about this new role.

How was it working with the kids? Difficult. On the set sometimes, I’d want to take a rest for 20 minutes, but then it’s, “Jackie, I want to learn some karate,” “Jackie, I want to do this,” “Show me magic.” I had prepared all these tricks to entertain them. It’s not easy being a babysitter. Besides, I have to protect them on the set, with all the action sequences. I make sure everybody’s safe, especially the children. I have to be very careful.

How important is it to vary the types of films you make? I think for the last 10 years, you can see there are different Jackie Chans. In Japan, I made a very heavy drama called Shinjuku Incident — not for children. I wanted to let the audiences see what I can do. After that, I made The Spy Next Door, then a black comedy, then the Karate Kid. I want the audience to know I’m a true actor who can fight, not a fighter who can act. Just like Robert De Niro. I want to be an actor. An actor can work forever. An action star’s life is very short.

Do advances in special effects make your job easier? Yes and no. I want to learn some things about special effects. Last year or two years ago, I cannot remember, I visited James Cameron’s set for Avatar. I’ve been making movies for 47 years. After I looked at his set, I was just like a kid in kindergarten. You give me all that technology, I don’t know how to use it. That’s why I film the basic things. Simple -- two cameras. So all those years I’ve just been doing Jackie Chan-style action. I would like to do these kinds of things, but I can’t.

This is the first time you’ve had a serious love interest in a movie. Finally, yes. In my movies, we don’t have kissing scenes or making love scenes. We don’t have those kinds of things. I don’t think audiences want to see Jackie Chan naked or making love. And also there are so many children watching my movies. A small kissing scene is OK. But I would rather do action sequences.
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Tuesday, January 12, 2010

Sony to open new chapter in "Spider-Man" saga

The "new chapter" will tell of a high-school-age Peter Parker, the alter ego for comic book crime fighter Spider-Man who had been played by Tobey Maguire, dealing with human issues as well as super-human predicaments, Sony and Marvel said.

The reboot follows recent speculation about the fate of a "Spider-Man 4" in development, during which a film's script is worked on and its production planned. "The studio and Marvel have a unique opportunity to take the franchise in a new direction, and I know they will do a terrific job," Sam Raimi, who directed the first three films, said in a statement.

That trio of movies, starting with 2002's "Spider-Man," have raked in roughly $2.5 billion at theaters and yielded tens of millions more in profits from product licensing, toy sales and other merchandise revenues. In the first movies, Parker had already graduated from high school, so the fourth film will essentially be a reworking of the franchise. Maguire is now 34 years old and a father.

"We're very excited about the creative possibilities that come from returning to Peter's roots," Amy Pascal, co-chairman of Sony Pictures Entertainment, said in a statement. The film will be based on a screenplay by James Vanderbilt, and Sony said it would have more details in coming weeks. Sony Pictures is a unit of Japanese consumer electronics giant Sony Corp.
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Monday, January 11, 2010

Kids' movie safety portrayals improved: study

The entertainment industry has improved its portrayals of walking, cycling and boating in movies aimed at children, but half of scenes still show risky behaviour, U.S. researchers found.

Unintentional injuries are the leading cause of death among children in Canada and the U.S, and children often act out when they see on the silver screen.

Previous studies found movies marketed to children rarely portrayed safety measures such as wearing seat belts, so the researchers set out to test if depictions have improved. Jon Eric Tongren of the U.S. Centers for Disease Control and Prevention and his colleagues reviewed the top-grossing movies rated for general audiences or parental guidance per year from 2003 to 2007.

In Monday's online issue of the journal Pediatrics, the study's authors reported:

22 of 958 scenes depicting children or adults involved crashes or falls, resulting in three injuries and no deaths.
75 per cent of boaters wore personal flotation devices.
56 per cent of motor vehicle passengers were belted.
35 per cent of pedestrians used crosswalks.
25 per cent of bicyclists wore helmets.
During the same time period, seat belt use in the U.S. population was 82 per cent, and bicycle helmet use by children was estimated at 41 per cent in 2003.

"The entertainment industry has improved the depiction of selected safety practices in G- and PG-rated movies. However, approximately one half of scenes still depict unsafe practices, and the consequences of these behaviours are rarely shown," the study said. Unsafe practices included not wearing elbow and knee pads when skateboarding.
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Wednesday, January 6, 2010

Karate Kid Remake Trailer....is this really necessary?


Remakes have been fairly common in hollywood for a while now. Truth be told, remakes go back a lot further than recent cinema (such as Scarface). It isn't till the past few years though that they have become downright hated by some people.

I would say this is in large part due to the many crappy remakes we have had in recent year that add nothing to the original and if anything, ruin its legacy (Rollerball and Texas Chainsaw Massacre come to mind). It seems like this tradition may be continued with the upcoming Karate Kid movie.

Now I'll admit, the original Karate Kid is incredibly dated by its 80's-ness but its still a great zero-to-hero tale held up by the great chemistry between Ralph Macchio and Pat Morita (who got an Oscar nom for his role as Mr. Miyagi. With wax on wax off and the infamous crane kick, the movie is a classic. My problem, however, isn't in the fact that they are remaking it. Its in how they are doing it.

First off, what is with it being little kids. Daniel-son was freshmen-ish in the original but these kids look 12 at the oldest. I can't take their fighting seriously (much like I can't take Jaden Smith's dreds seriously). Also, the whole American kid in Asian land feels a little too "Fast and Furious: Tokyo Drift" to me. Another thing that bugs me is the fact that the movie features kung fu instead of karate (which yes, there is a difference). I would assume its because movie audiences are more accustomed to the movements of kung fu, but when something is in the name of the movie, you probably shouldn't cut it out.

My last problem is this: they already tried to remake the karate kid franchise! It was called The Next Kara.te Kid and it starred Hilary Swank (long before she was a two time Oscar winner). That movie failed horribly and I fear this movie will to. It doesn't help that this is the director who gave us The Pink Panther 2 and Agent Cody Banks. The only promising aspect seems to be a surprisingly serious Jackie Chan. It seems he could be a decent Miyagi. Still, Jackie Chan seems to have an agent worse than Vin Diesel's and appears in the crapiest of the crap out there. If you want a remake with some promise, wait for Clash of the Titans.

P.S. Also disappointed that they didn't bring on Bill Conti to do the music. This is the man who not only did the original Karate Kid but gave us the Rocky music (except Eye of the Tiger and those ridiculous power ballads which came from Survivor). He did a great job with Rocky Balboa a few years back and I'm sure he could have brought something good to this movie. Oh well.
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Tuesday, January 5, 2010

Family Filmgoer Reviews - 'Alvin and the Chipmunks' is cute but cliched

Alvin and the Chipmunks take a break from their rock star careers and enroll in high school in this "Squeakquel," which again mixes live action and computer animation. The trio is as cute and cuddly as ever, but the cobbled-together story, which reintroduces their female counterparts, the Chipettes, warms over a lot of high school movie cliches. (The worst is how the girls immediately defer to bullying jocks.)

The plot leaves the Chipmunks in the care of Toby, their guardian's slacker cousin. He enrolls them in high school, where the girls think they're cute and the jocks bully them (there are toilet-dunking "swirlies"). But when the Chipmunks enter a city-wide high school music competition, up shows the villain from the first film, slimy music promoter Ian, determined to make his fortune with a Chipmunk sister trio, the Chipettes. The film includes flatulence humor, a few semi-crude expressions and very mild sexual innuendo. One Chipmunk is briefly menaced by a large bird of prey. Fine for kids 6 and older.

Favorite Family Films of 2009 There was a real shortage of live-action family films about "real people" in 2009 but a bumper crop of terrific animated features, some, such as "Coraline" and "Where the Wild Things Are," dealing with actual childhood crises in highly imaginative ways. What follows is the Family Filmgoer's list of Top 10 Family Films for 2009. These are films that will entertain children (suggested ages specified) but also older siblings and adults -- i.e. families.
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Sunday, January 3, 2010

The Princess and the Frog

IN A novel twist on the frog-prince fable that is as morally driven as it is delightfully nutty, an ambitious young black woman in jazz-era New Orleans kisses a frog, expecting a rich, handsome prince to appear.

Tiana (voiced by Anika Noni Rose from Dreamgirls) hopes her faith in fairy tales will fast-track her dream of owning her own swanky restaurant. Things don't quite go as planned, however, when she turns into a frog.

In a refreshing re-embrace of colourful hand-drawn animation, directors Ron Clements and John Musker - the Disney duo who gave us.

The Little Mermaid (1989), Aladdin (1992), Hercules (1997) and the unfairly trashed Treasure Planet (2002) - deliver a vibrant, funny, uplifting old-school musical cartoon.

If the film boasts any advantages over digital, it's in the pastel richness of its colours and the elasticity of its characters, who enjoy a degree of comic flexibility and range of expressions we still don't get from computers.

The story is anchored in the reassuring bedrock of homespun Disney values. Tiana's frog-kissing gamble goes against what her father taught her, making the film a neat parable about the importance of hard work and the perils of taking short cuts. There are even several well-handled backhanders to the racism of the time.

On this score, The Princess and the Frog also deserves kudos for featuring Disney animation's first African-American lead character, continuing a progressive tradition that includes a Native American in Pocahontas, a Pacific islander in Lilo and Stitch and an Asian in Mulan.

The film's success has been widely seen as a revival of the hand-drawn form, though the common belief that digital would supplant the appeal of hand-drawn animation has never really taken into account The Simpsons. Even Pixar's digital pioneer John Lasseter, who now heads Disney animation and produced this film, champions any style, so long as it brings a story to life. And it does so here. Splendidly.
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